Jeff Wall - Mimic

© Jeff Wall

This photo shows an encounter on an otherwise nondescript street. It appears to have caught a moment of petty racism. It's on the face of it a fairly run of the mill example of street photography - even if it isn't B+W ;-)

Things are not what they seem though. The photographer, Jeff Wall, staged the whole thing using actors, and filmed it with a 10x8 view camera. Possibly he took a whole series and selected the one that best fitted his purpose. He relates that he wanted to recreate a real incident that he had witnessed himself. He himself says that he wanted to create a piece of social art, but wittingly or unwittingly, it also says a lot, or makes us think a lot about the roles and uses of photography. Is it a parody or a homage to street photography? Does it repudiate street photography because it seems to say that it all can be made up? What does it say about truth and reality in photography? If it wasn't a photo of a real incident, would a painting have served the same purpose?

By using photography of course, he is making it clear that "it happened", or asking us to believe that it did - the original incident. And because the subject is socially sensitive we might accept it more as being a valid comment. With a painting we would always think he has an axe to grind.

Comments
Firstly on a more minor point, the fact that wether this captures a moment of petty racism is up to the viewer. Some might have thought it merely captures a guy walking past another and taking him by surprise.... Is it art, well, he is credible as an artist I think, since he has a message and tried to portray it via a photograph. It doesnt repudiate anything. Photography can be art, and in this context the lines are blurred. This does happen and regardless if we except that sometimes the lines are blurred and sometimes not then what is the problem.... perhaps photography has always been AN art... maybe there should be no separation just classification under the broad category of art rather....

In any photography or art, whether it happened or not is up to whether we believe the credibility of the artist or photographer, and understanding them we might understand the "art"...
# Posted By Sean | 8/11/09 9:03 AM
Sean - maybe I should have said that Wall said himself that it was the racist gesture that he had noticed - of course maybe he originally mistook it for racist!

another interesting aspect of his work is it's relationship with the cinema. He himself calls this sort of elaborately staged image "cinematographic". The still image has a peculiar relation with the moving one. Films are by and large fictions, photographs not, and yet when you think about it one is just a long series of the other.
# Posted By Richard | 8/13/09 12:28 PM
I see a guy talking on a cell, holding his (possibly Asian, possibly pissed off about something [or maybe the sun's just in her eyes?]) girlfriend's hand, and there's another guy, Asian, walking parallel with them. The middle guy seems to be looking toward the Asian guy, but most likely he's just naturally inclining his head toward the side the phone's on. Did I miss anything?
# Posted By Timmytee | 12/5/09 12:06 AM
Hi Timmytee - well I guess when Jeff Wall constructed this (1982) he wasn't aware of the future iconic recognisable cellphone-to-the-ear pose that we all know today. Also illustrates the danger of showing this screen size, when the original was 192cm x 224cm and there would be no danger of mistaking the gesture. Thanks for popping in!
# Posted By Richard | 12/5/09 3:36 PM
There is no cell phone, the guy on the right is giving the guy on the left the finger.
# Posted By Jamie | 4/19/10 10:57 PM
whoa, you can read how the while photoshoot came about in this article at Geist.com

http://www.geist.com/camera/mimic
# Posted By kaycee | 8/20/10 6:45 AM
Thanks Kaycee - interesting background stuff
# Posted By richard | 8/20/10 8:13 AM
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